Old School Static Meets Modern Editing

Hey there! I’ve just released something new that I’m pretty excited about – my Analog Noise transitions pack for DaVinci Resolve. This collection features 20 different transitions that bring that nostalgic TV static and signal disruption feel to your projects.

Remember those days when you’d be watching TV and suddenly get those fuzzy static lines? Or when your VHS tape would glitch out at the best part of the movie? These transitions capture that exact vibe but in a controlled way that actually enhances your edits.

I designed these transitions to add some character to your cuts. They work especially well for music videos where you want some gritty texture, or documentaries where you’re going for a certain time period feel. They’re also great for adding a touch of chaos to any project that feels too polished.

For this week only, I’m offering a special discount on the Analog Noise transitions pack. If you’ve been looking to add some retro texture to your edits, now’s the perfect time to grab it!

Paddington in Peru VFX Breakdown from Framestore

This week I’d like to share a VFX breakdown from Framestore for “Paddington in Peru” that caught my eye.

It shows their journey from early sketches by Animation Director Pablo Grillo and Director Dougal Wilson to final animation. Their process moved through storyboards, concept art, previs, and finally to the VFX team who brought our favorite bear to life.

Layered Audio Editing

Last week I was working on a video that needed multiple voiceover takes mixed together. I don’t use audio layers often, but this project demanded it. Since it’s not discussed much, I thought it’d be perfect to share what it is and how it can save your day.

Layered Audio Editing is a special mode in Resolve that lets you stack multiple audio clips on the same track. Think of it like video clips at 100% opacity – the top clips “mute” whatever’s underneath them.

To turn it on, just go to Timeline > Layered Audio Editing. You can also toggle the visual display through View menu > Show Audio Track Layers. Once enabled, you’ll see your audio clips can actually stack on top of each other within the same track.

This feature is perfect for “comping” – combining the best parts of multiple takes into one perfect performance. Working on voiceovers, ADR, or any vocal track? This is your new best friend.

One thing to watch out for: if you delete a clip on a top layer, whatever’s underneath will “poke through” and be heard. This means a bit more careful editing compared to the default Overwrite mode.

Keep creating, stay curious, and never stop pushing your creative boundaries!

Stay creative,
Justin R.